THE SATURDAY BOY

Warning: may contain salty language and scenes of an adult nature.

criminalwisdom:

Moody photo of a Spanish bullfighter Juan del Alamo making the ‘paseillo’ or ritual entrance to the arena before a bullfight at Las Ventas bullring in Madrid Sunday, June 16, 2013. Bullfighting is an ancient tradition in Spain and the season runs from March to October. (AP Photo/Daniel Ochoa de Olza)

(Source: nationalpostphotos)

Jun 18
criminalwisdom:


Moody photo of a Spanish bullfighter Juan del Alamo making the ‘paseillo’ or ritual entrance to the arena before a bullfight at Las Ventas bullring in Madrid Sunday, June 16, 2013. Bullfighting is an ancient tradition in Spain and the season runs from March to October. (AP Photo/Daniel Ochoa de Olza)

(Source: nationalpostphotos)

Gimme - I wanna sell it and make “The Man Who Got Away”.

cavetocanvas:

Georges Rouault, Head of a Clown, c. 1920

From the Indianapolis Museum of Art:

Clowns, a popular motif in French art from 18th-century painter Antoine Watteau through Picasso, often appear in Rouault’s work. They are his Everyman, assuming a wide range of different guises.

Much of Rouault’s art and life revolved around anguished themes of sin, suffering and atonement. This image takes on the tragic features of Christ as the Man of Sorrows and expresses suffering in a universal sense. Its smoldering color and emphatic line reflect Rouault’s early training in stained glass.

Jun 18
Gimme - I wanna sell it and make “The Man Who Got Away”.
cavetocanvas:

Georges Rouault, Head of a Clown, c. 1920
From the Indianapolis Museum of Art:

Clowns, a popular motif in French art from 18th-century painter Antoine Watteau through Picasso, often appear in Rouault’s work. They are his Everyman, assuming a wide range of different guises.
Much of Rouault’s art and life revolved around anguished themes of sin, suffering and atonement. This image takes on the tragic features of Christ as the Man of Sorrows and expresses suffering in a universal sense. Its smoldering color and emphatic line reflect Rouault’s early training in stained glass.

THIS FUCKING MOVIE.

(Bubble, 2006)

Jun 16
THIS FUCKING MOVIE.
(Bubble, 2006)

As I have already noted elsewhere, I very much enjoyed this feature presentation

lareviewofbooks:

Nicholas Rombes on Shane Carruth’s Upstream Color and the process of creation:

Perhaps most art, at some fundamental level, is about the process of its own creation, if for no other reason than that it bears the indelible claw marks of the hands that made it. Walden, for instance, is not just about Thoreau’s experiences in nature, but also about the assembling of those experiences into the book itself. And Virginia Woolf’s experiments in her novels with extended interior monologue suggest that, maybe, that’s what her novels are really about: their composition through a particular mode of consciousness. While there are no lack of theories about what Upstream Color is about or what it all means, the fact that most of these readings don’t cancel each other out, but rather exist simultaneously, is suggestive of the particular power of this film.

Read the whole thing here.

Jun 12

They’re a big “hit” with my “band”, says Vincent Gardenia (via).

Jun 11
They’re a big “hit” with my “band”, says Vincent Gardenia (via).

film-dot-com:

SERGIO LEONE

(Source: nefariouscinephile)

Jun 09
film-dot-com:

SERGIO LEONE

THIS FUCKING MOVIE.

(which is Upstream Color, btw)

Jun 09
THIS FUCKING MOVIE.
(which is Upstream Color, btw)

supermodelgif:

basically the entire movie

Jun 08
supermodelgif:

basically the entire movie

Hey, so the omnibus is out - you should probably buy the shit out of it (UK) (US).

Jun 06
Hey, so the omnibus is out - you should probably buy the shit out of it (UK) (US).
criminalwisdom:


Moody photo of a Spanish bullfighter Juan del Alamo making the ‘paseillo’ or ritual entrance to the arena before a bullfight at Las Ventas bullring in Madrid Sunday, June 16, 2013. Bullfighting is an ancient tradition in Spain and the season runs from March to October. (AP Photo/Daniel Ochoa de Olza)

(Source: nationalpostphotos)
criminalwisdom:


Moody photo of a Spanish bullfighter Juan del Alamo making the ‘paseillo’ or ritual entrance to the arena before a bullfight at Las Ventas bullring in Madrid Sunday, June 16, 2013. Bullfighting is an ancient tradition in Spain and the season runs from March to October. (AP Photo/Daniel Ochoa de Olza)

(Source: nationalpostphotos)

criminalwisdom:

Moody photo of a Spanish bullfighter Juan del Alamo making the ‘paseillo’ or ritual entrance to the arena before a bullfight at Las Ventas bullring in Madrid Sunday, June 16, 2013. Bullfighting is an ancient tradition in Spain and the season runs from March to October. (AP Photo/Daniel Ochoa de Olza)

(Source: nationalpostphotos)

Gimme - I wanna sell it and make “The Man Who Got Away”.
cavetocanvas:

Georges Rouault, Head of a Clown, c. 1920
From the Indianapolis Museum of Art:

Clowns, a popular motif in French art from 18th-century painter Antoine Watteau through Picasso, often appear in Rouault’s work. They are his Everyman, assuming a wide range of different guises.
Much of Rouault’s art and life revolved around anguished themes of sin, suffering and atonement. This image takes on the tragic features of Christ as the Man of Sorrows and expresses suffering in a universal sense. Its smoldering color and emphatic line reflect Rouault’s early training in stained glass.
Gimme - I wanna sell it and make “The Man Who Got Away”.
cavetocanvas:

Georges Rouault, Head of a Clown, c. 1920
From the Indianapolis Museum of Art:

Clowns, a popular motif in French art from 18th-century painter Antoine Watteau through Picasso, often appear in Rouault’s work. They are his Everyman, assuming a wide range of different guises.
Much of Rouault’s art and life revolved around anguished themes of sin, suffering and atonement. This image takes on the tragic features of Christ as the Man of Sorrows and expresses suffering in a universal sense. Its smoldering color and emphatic line reflect Rouault’s early training in stained glass.

Gimme - I wanna sell it and make “The Man Who Got Away”.

cavetocanvas:

Georges Rouault, Head of a Clown, c. 1920

From the Indianapolis Museum of Art:

Clowns, a popular motif in French art from 18th-century painter Antoine Watteau through Picasso, often appear in Rouault’s work. They are his Everyman, assuming a wide range of different guises.

Much of Rouault’s art and life revolved around anguished themes of sin, suffering and atonement. This image takes on the tragic features of Christ as the Man of Sorrows and expresses suffering in a universal sense. Its smoldering color and emphatic line reflect Rouault’s early training in stained glass.

THIS FUCKING MOVIE.
(Bubble, 2006)
THIS FUCKING MOVIE.
(Bubble, 2006)

THIS FUCKING MOVIE.

(Bubble, 2006)

People are morons. I don’t do any of that social media stuff. I have people telling me all the time, “You should do Twitter, you should do this, you should get on Facebook.” Are you insane? I’m not doing any of that crap. I stay the hell off that thing. Every once in a while, I send a business email, and that’s it.
Michael Shannon (via)

As I have already noted elsewhere, I very much enjoyed this feature presentation

lareviewofbooks:

Nicholas Rombes on Shane Carruth’s Upstream Color and the process of creation:

Perhaps most art, at some fundamental level, is about the process of its own creation, if for no other reason than that it bears the indelible claw marks of the hands that made it. Walden, for instance, is not just about Thoreau’s experiences in nature, but also about the assembling of those experiences into the book itself. And Virginia Woolf’s experiments in her novels with extended interior monologue suggest that, maybe, that’s what her novels are really about: their composition through a particular mode of consciousness. While there are no lack of theories about what Upstream Color is about or what it all means, the fact that most of these readings don’t cancel each other out, but rather exist simultaneously, is suggestive of the particular power of this film.

Read the whole thing here.

They’re a big “hit” with my “band”, says Vincent Gardenia (via).
They’re a big “hit” with my “band”, says Vincent Gardenia (via).

They’re a big “hit” with my “band”, says Vincent Gardenia (via).

THIS FUCKING MOVIE.
(which is Upstream Color, btw)
THIS FUCKING MOVIE.
(which is Upstream Color, btw)

THIS FUCKING MOVIE.

(which is Upstream Color, btw)

supermodelgif:

basically the entire movie
supermodelgif:

basically the entire movie

supermodelgif:

basically the entire movie

Hey, so the omnibus is out - you should probably buy the shit out of it (UK) (US).

Hey, so the omnibus is out - you should probably buy the shit out of it (UK) (US).